Lets compare the two (at least on paper). Starting with slow pans going up to whip pans, the camera has some rolling shutter but not enough to be concerned about. 12.9 megapixels (total), 10.2 megapixels (effective) back-illuminated CMOS Exmor R 4K sensor. Its perfect for a small gimbal and light enough for hours of hand held shooting. Effective Picture Size: (H x V) 3840 x 2160 At the same time as the FS5 II was announced at NAB 2018, Apple announced ProRes RAW, made possible with a few partners including Atomos and the Shogun Inferno. All you need are SD cards. Videomaker is always looking for talented, qualified writers. However you want to shoot, the FS5 adapts to fit your style. 18.0 W (while recording XAVC-I QFHD 59.94p, SEL24105G Lens, Viewfinder ON, not using external device). The FX6 clearly does step on the toes of the FX9, and I think it had to given the feature set of the recently announced a7S III. Once in New York City, we shot around and in the High Line urban park area. The AF works in all resolutions and all frame rates, including UHD at 120p and HD up to 240p. FS-5 Audio Channels : r/videography. The air intake and exhaust are both on the non-operators side of the camera. However, because it doesnt allow for internal 10-bit 4K video, youll need to purchase a monitor/recorder to get the most out of it. If you wanted an a7S III with electronic variable ND, SDI, XLR inputs, and a more video-centric form factor, then thats exactly what Sony has given you. A 3.5-inch LCD screen can be attached in no less than nine different locations: three on top of the handle and another six on top of the body. This allows you to access menu features and make changes to certain camera parameters. Gain Selection: 0, 3, 6, 9, 12, 15, 18, 24,27, 30dB, Multi Interface Shoe (MI Shoe) adaptor for URX-P03D (Dual Channel), 128GB, 64GB and 32GB ultra high durability Memory Cards, 17-inch cost-effective, lightweight basic grade Full HD LCD monitor for versatile use, 24-inch cost-effective, lightweight basic grade Full HD LCD monitor for versatile use, Two-channel simultaneous battery charger/AC adaptor for BP-U90/U60/U60T/U30 Lithium-ion battery, Battery charger/AC adaptor for BP-U90/U60/U60T/U30 Lithium-ion battery, "Grab and shoot" Super 35 handheld camcorder with stunning new creative look, 4K 120fps HFR and HDR, Mount lens system, Variable ND Filter, 4K/2K RAW and XAVC recording, Approx. Audio Recording Format: XAVC Long, Linear PCM 2, ch, 24-bit, 48kHz, AVCHD, Linear PCM 2 ch, 16-bit, 48kHz, Dolby digital 2ch, 16-bit, 48kHz The FX6 doesnt feature any type of IBIS, instead you need to use post stabilization to improve shake. What about recording differences? A camera with fewer high-end options and a lower price tag might fit the bill a lot better. Now, the biggest downside when utilizing a smaller megapixel 4K sensor is that you can only shoot 4K in full-frame. By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. The FS5 is built around a high-sensitivity 4K Super35 Exmor CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion. Complain all you like, but you tell me what else Sony could have done from a business perspective that made more sense. The FX6 is just the second commercially available camera that I know of that can use CFexpress type A cards. Lastly, there is a dial for easy change of the aperture or other controls. Sony was quick to point out that even though this High Sensitivity mode works in a similar way to a dual native ISO, they are not calling it a dual native ISO. There are also XAVC Long GOP recording options as well if you want to minimize card space. If the camera you currently own is perfectly satisfactory for the type of work you do and is acceptable for the clients you have, then there is no need to purchase a new camera. Even with all of that, the price is lower than that of the FS5 was when that camera was first released. However I had already tried a combination of the the following with no success: The issue is now resolved. This is a major problem if you want to run the camera on a gimbal and need to remove the top handle. This LCD screen can be moved around and positioned in a variety of places on the camera. HVL-LBPC light does not draw power from FS5. Last is the Blackmagic Design Ursa Mini Pro 4.6K, priced at $6,000. If you are primarily shooting video, then items such as built-in electronic variable ND, XLR inputs, SDI In, Timecode In/Out, better cooling, LUTS, and form factor make a big difference. When the FS5 originally came out 5 years ago it didnt really have any competition. With this system, you can also do things like adjusting the depth of field in real-time as the variable ND will compensate automatically when you make changes to the f-stop. Sony has priced the FS5 II very well. *S&Q 1-60fps and 100/120/200/240fps are available in these modes. If we were to buy this camera, wed buy it without the kit lens. The FX6 is being aimed primarily at the same target audience that owned cameras like the FS5 and FS7. The PXW-FS5 is a more compact and far lighter camera than the PXW-FS7, coming in at only 1.76lbs. Lastly, you can capture proxies and full res video at the same time by recording to both of the card slots simultaneously. Plus, Sony even upgraded the already great built-in neutral density filter. **S&Q 1-60fps and 100/120fps are available in these modes, however, 100/120fps is not available when outputting RAW over SDI. Everything above ISO 4,000 needs some noise reduction and everything above ISO 8,000 is not salvageable. Go for either a Tentacle Sync E or the Ultrasync ONE. Sony has officially unveiled the FX6, the third camera in its new Cinema Line. When you need dynamic range, shooting in log is the way to get it. Headphone: 1 x Stereo mini jack Sigma offers Sony E mount zooms for those who are on a budget but still want high quality. Ill say it again just in case you missed it. Unlike the FX9 which uses two XQD media slots that support simultaneous or relay recording, the FX6 utilizes new CFexpress type A cards. The top handle, microphone holder, and onboard LCD screen look to be very similar to those used on the FS5. Use the condenser microphone included in the camera kit (side pocket of the bag). Also available is FS5 II, which has continuous 120fps HFR recording in Full HD and FS RAW output as standard plus features enhanced creative look. It is also possible to record 120fps with up to 16-second cache recording. On paper, it is hard to find fault with the FX6. Just like on the FX9 you can load up user LUTS as well as scene files. Once shot, all we needed to grade the S-log3 footage was a simple LUT. If you are an event videographer, news gatherers, documentarian, marketing agency or studio, then this camera is for you. It has a power zoom function with a consistent aperture through the throw of the lens. The picture quality is superb and the form factor is easy to use. The FX6, just like the FX9, features a next-generation sensor chipset that provides much improved AF with face detection and Eye-AF. During our tests using the Shogun Inferno, we determined we wanted the expanded recording capabilities more than the external monitor. By doubling the ISO, we are able to see the performance at every stop. Starting at the lowest ISO and ramping up to the highest, while adjusting the shutter speed to compensate, we look for where noise is introduced in the picture. This did not work, Camera Audio Settings: On Channel 1, I have selected Int Mic and on Channel 2 I have selected Int Mic as well. As a comparison to the FX6, the FX9 utilizes a 35.7 x 18.8 mm full-frame sensor. HDMI 2.0: 1 x Type A This is something you need to keep in mind long term, even though I personally think 4K will be fine for many years to come. Sony FS5 Audio Controls Audio Inputs The camera has a built-in stereo microphone on the handle. Sony is also working to encourage other third-party non-linear editing tools to adopt this functionality. The advanced image stabilization information means handheld footage can be transformed with Sony Catalyst Browse/Catalyst Prepare software in post-production to look smoother. Just like the FX9, the FX6 isnt capable of recording in any anamorphic modes. A big problem with the FS7 was the menu operation. Many shooting situations just cant handle those restraints. Although you can capture at that high of frame rate, the video quality is junk, so you better need the slow-mo more than you need a good looking picture. Yes, you could very well argue that capturing at a higher resolution allows for more flexibility with reframing in post or downsampling to get a better 4K image, and those are good arguments, however, if you are capturing in 4K and still delivering in HD (which a lot of people are) you dont need resolutions above 4K. 4K is still perfectly acceptable and will still be for quite some time. New comments cannot be posted and votes cannot be cast. Key Features Ninja V+ 5.2" 8K HDMI Recording Monitor Accessory Kit with Batteries & Charger Screen Protector, Sun Hood, Travel Case Master Caddy II, SATA III Cable Add a full monitoring and recording kit to your camera rig with this Atomos Ninja V+ Deluxe Starter Kit put together by B&H. It was just too touchy. Remotely controlling focus, zoom, rec start/stop, and etc. At release, the MSRP of $6,700 puts the FS5 in the same space as the Canon C-100 Mark II at an MSRP of $5,700 and the Blackmagic Design URSA Mini 4.6k at $4,995. The FS5 II is the obvious next step when moving out from behind the photo first camera that can shoot video to a camera designed specifically for video capture. We were not impressed with the quality of the video shot at any of the higher frame rates. ), Slow & Quick Motion and Super Slow Motion Limitations, Camcorder Sony PXW-FS5M2 Operating Manual, Camcorder Sony PXW-FS7 Operating Instructions Manual, Camcorder Sony PXW-FS7M2 Operating Instructions Manual, Camcorder Sony PXW-X400 Instructions Before Use, Page 19: Step 2: Using A Battery Pack Or Ac Adaptor, Page 24: Step 4: Attaching The Handle, Accessory Shoe, Microphone, Lcd Screen, And Grip, Page 31: Step 5: Turning On The Camcorder And Setting The Date And Time, Page 32: Step 6: Adjusting The Lcd Screen And Viewfinder, Page 34: Step 7: Adjusting The Angle Of The Grip, Page 39: Continuous Recording On The Memory Cards (Relay Rec), Page 40: Recording Movies Using Both Memory Card A And B (Simul Rec), Page 43: Using Automatic Focus/Fixed Focus Temporarily (Push Auto Focus/Focus Hold), Page 45: Focusing On A Detected Face (Face Detection), Page 46: Changing The Recording Setting/Image Size, Page 49: Adjusting The Iso Sensitivity/Gain, Page 51: To Adjust The Amount Of Light (Nd Filter), Page 56: Slow & Quick Motion/Super Slow Motion Recording, Page 62: Recording Sound From An External Audio Device, Page 63: Adjusting The Audio Recording Level, Page 66: Downloading "Content Browser Mobile, Page 67: Using A Smartphone As A Camcorder Remote Control, Page 68: Connecting Without Using The Nfc Function (Android), Page 69: Connecting Without Using The Nfc Function (Iphone/Ipad), Page 89: Using The Gamma Display Assist Function, Page 91: Preventing Accidental Operation (Hold Switch), Page 92: Inverting The Lcd Screen Display, Page 96: Changing/Checking The Settings In Your Camcorder, Page 97: Checking The Camcorder Settings (Status Check), Page 99: Selecting Jacks For External Output, Page 111: Preventing Data On A Memory Card From Being Recovered, Page 112: Repairing The Image Database File, Page 149: Warning Indicators And Messages, Page 153: Function Limitations When Recording, Page 154: Slow & Quick Motion And Super Slow Motion Limitations, Page 155: Proxy Recording Supported Formats, Page 158: File/Folder Structure On The Memory Card, Page 161: About Handling Of Your Camcorder. The Sony PXW-FS5 features an E-Mount, a 4K Super 35 Exmor Sensor, Smart Grip handle, EVF and LCD panel. ), Display Settings (MARKER/DISPLAY OUTPUT, Etc. Once you have several camera models below a certain price point in your line-up you put yourself between a rock and a hard place. It is also compatible with fixed focal length lenses, so you can zoom into a scene while using a prime lens. It made the footage look great and got rid of the little noise we experienced. * This makes the FS5 ideal for fast-moving shoots in changeable environments theres no need to change filters as lighting conditions change, and variable control makes it easy to keep depth of field under control. But unlike with the FX9, you dont need to use the large, expensive XDCA-FX9 extension kit to do this. If you switch to the 1.5x S35 shooting mode you are limited to recording in HD. The built-in microphone. I just had the thought that maybe there was a way to record 4 channels via the xlr inputs and possible the hotshoe with sony's fancy receiver, or some combo that I hadn't figured out yet. Choose from XAVC QFHD for UHD 4K or XAVC HD and AVCHD for HD. Page 18: Audio Inputs Audio Inputs The camera has a built-in stereo microphone on the handle. However, because it doesnt allow for internal 10-bit 4K video, youll need to purchase a monitor/recorder to get the most out of it. It is the cheapest interchangeable-lens cinema camera that shoots 4K. Audio Input: 2 x 3-pin XLR To extend recording time and workflow flexibility, the FS5 is equipped with two SDXC/SDHC card slots. If you are using a camera with a servo-controlled zoom, there is a rocker for your fingertips. Given the target audience for the FX6, this is something a lot of users are going to appreciate. The picture quality is superb and the form factor is easy to use but those things dont come cheap. FS RAW in 4K or 2K with an external recorder for future-proof content. However, if you have the storage space and the workflow to support shooting in 10-bit, its a very nice luxury to have. Unlike conventional optical ND Filters, the electronic ND Filter on the FS5 can be controlled from 1/4 ND to 1/128 ND linearly. the camera in the box is actually good for more than five minutes of use. Not having a locking E-mount means you really do need to use lens support for certain larger lenses. Its amazing how just a few adjustments differentiate this cameras feel so much from the FS7. The Kinefinty MAVO LF and MAVO 6K S35 could also potentially join this conversation. The FX6 can capture 4K DCI at up to 59.94P in 4:2:2 10-bit XAVC Intra (Class 300). We felt that the ND being linearly adjustable is a great feature and a no-brainer. FS5 II is Sony's Super35 handheld camcorder with stunning 4K HDR and 120fps performance. All of these cameras were released at a time when they didnt have any direct competition. Reddit and its partners use cookies and similar technologies to provide you with a better experience. Consider becoming aPatreon supporterand help us to continue being the best source of news and reviews for professional tools for the independent filmmaker. The FX6 is an intriguing camera and its release signals that Sony has had to reconsider its strategy when it comes to producing cameras that start to overlap with some of their higher end options. The work around hack is to send timecode signal at mic level instead, to an audio track: Sony doesnt specifically state what the bitrate is when recording UHD at 100 or 120P. Just how this will affect the use of 15mm rods and positioning a matte box correctly will be interesting to see. It will be interesting to see how many potential FX9 buyers will now be rethinking their decision. Back-illuminated technology places the metal wiring of the photodiodebeneaththe diode instead of above it. When you need dynamic range, shooting in log is the way to get it. The focus ring was slow to respond and offered very few degrees of rotation, making find focusing difficult. Its main competition arguably comes in the form of the Canon C70, RED KOMODO, Z Cam E6-FF, and perhaps the older Panasonic EVA1. Just what the actual real-world difference will look like between the FX9 and FX6 will be interesting to see. I was wondering if anyone on this forum might assist me resolve this issue. The FS5 takes advantage of Sonys flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. FS5 II delivers stunning slow motion imagery, including four seconds of 120fps in 4K, continuous 240fps in 2K RAW when used in partnership with a compatible third-party external recorder, such as the ATOMOS Shogun and Convergent Design Odyssey 7Q. The grip is wonderful to use. The location of the ND is the same in the FS7; its easy to find and the grip is textured for an easy turn. You cant have your cake and eat it too. Because the camera needs to operate at a high ISO all the time, applying the ND in more than just a step at a time is very nice. An unfortunate aspect of the PXW-FS5 is that the minimum ISO for non S-Log picture profiles is still high at 1,000. Sony is very much pushing the FX6 as being a lightweight, compact mobile production camera that can be used by solo operators. The ND is linearly adjustable, making getting the right exposure not only possible but easy. However, its the heaviest and least portable camera at 5.1 pounds. The FX6 can utilize a range of compatible accessories. There really isnt much in between. It also rotates and moves very easily. You could also compare it to older cameras like the Panasonic EVA1 as well. The FS5s E-Mount can take cinema lenses and SLR lenses with a third-party adapter, as well as Sonys E-mount and A-mount lenses. On paper, the FX6 offers you higher frame rates in UHD than the more expensive FX9. FS5 II also offers High Frame Rate (HFR) cache recording at Full HD 10bit 4:2:2 image quality . The FX6 isnt a massive departure away from the form factor of the FS5. The FS5 has 3x firmware paid upgrades. With little investment needed for accessories, flash memory and batteries, its good to go straight from the store. The FS5 II has visible noise from the get-go, but its not distracting if youre not looking for it. The only catch is that frame rates higher than 60 fps have lower and lower quality up to 960fps. Here is the rub with having to use the Shogun Inferno or Odessey 7Q to capture better video: Its bigger than whats needed. Because of the low megapixel count, the sensor readout is extremely fast, and this means that the rolling shutter will be almost non-existent. Because the camera is smaller, the LCD appears larger in scale. Solid-state memory camcorder firmware update ver. Thats a lot of light to compensate for. The worst argument I always hear in regards to resolution is that I am future proofing my material. Continuous 120fps high frame rate recording in Full HD. Sony was also keen to stress that all of the cameras in the Cinema Line have similar color science and that they have all been designed to match. Lightweight but robust, it delivers stunning 4K HDR content. This is the exact same LCD that comes with the FX9. It has also has two XLR inputs and a hot shoe. You need to be seriously aware of this because if you are shooting documentaries or events you are going to have serious limitations with focal reach. Sony touts 14 stops of dynamic range with the FS5 II. Approx. Even though you might think that the FX6 is an FS5 M2 replacement, Sony will tell you that it is not. Back at Videomaker world headquarters, we tested the FS5s low light capabilities. It looks very similar in a lot of ways, however, you will notice that there is no longer an EVF on the back. That 1/4 to 1/128 stop ND can slide through the stops, offering the perfect ND for any exposure. Let us know in the comments section below. It captures 10-bit video internally and offers 5.7K RAW out its SDI. Although in saying that, with a lot of people using speedboosters on S35 Sony E-mount cameras there is clearly a demand for the full-frame esthetic. Both Proxy Video and Audio can be recorded: An HLG (Hybrid Log-Gamma) HDR picture profile, complete with the wide-gamut BT.2020 color space, can be used for direct HDR (HLG) playback on compatible TVs. Before we get into our experience with the FS5, lets rundown some of the noteworthy specs. Battery and media included, the Shogun Inferno adds 2.4lbs to the rigs weight. Five-level AF subject shift sensitivity ranges from locked-on, ignoring other moving subjects in the frame, to responsive that switches focus from one subject to another. From all reports the UHD 120p is very good on the a7S III, so it fairly safe to assume that the same will be true with the FX6. Page 19: Attaching The Microphone The internal structure of the FX6 is made out of magnesium alloy and the camera also features dust and moisture sealing. Sony PXW-FS5 $6,899.00 at Amazon $4,248.00 at B&H Video Tech Specs: Sensor: Super 35mm Single-Chip 11.6MP Exmor CMOS Effective Picture Size: (H x V) 3840 x 2160 LCD Monitor: 3.5 / 8.8 cm Viewfinder: 0.39 / 0.99 cm OLED ND Filter: Variable: 1/4 to 1/128 Presets: Clear, 1/4, 1/26, 1/64 Sensitivity ISO Rating: 3200 (S-Log3 Gamma) It operates fast enough that you dont think about it. The FS5 is built around a high-sensitivity 4K Super35 Exmor CMOS Sensor that offers all the benefits of a large format sensor in combination with the exceptional image readout speeds required for 4K motion-picture shooting and super slow motion. This will allow you to understand what kind of low light performance the camera offers. Once we began shooting, there was no avoiding what we experienced first when shooting in S-Log3: a minimum ISO of 3,200. It didnt perform poorly, but it wasnt mindblowing either. Sony offers an impressive mirrorless camera lineup, but these cameras have a 30-minute record time limit for video clips, offer only a 1/8 inch audio input and dont include ND filters. Fujifilm X-H2S review: Fujifilms affordable ProRes 6.2K beast. The peer to peer support community for media production professionals. With a maximum bit rate of 100 megabits per second in UHD 4K, it can also capture up to 120 fps in 1080. Sony almost always seems to get its camera timings just right (at least when it comes to digital cinema cameras). According to Sony, by recording image stabilization information and using it on the Catalyst Browse/Prepare option, content creators can capture incredibly stable visuals even in handheld mode. Posted by Vincent James on March 30, 2021 at 8:07 am My Sony FS5 Mark ii is not recording audio when I use my external Sennheiser ew G4 microphone which is connected to the XLR Input 2. I am assuming that just like with the a7S III, that you will be able to record to both card slots simultaneously if you want to. This is the same technology that has made its way over from Sonys Alpha series mirrorless cameras. The fact that you can only shoot HD in a Super 35 mode may be a deal-breaker for some potential users. With the end trigger recording, you can tell the camera when to end the shot and it will record the few seconds before that. Chris Monlux Videomaker's Multimedia Editor, Some wont take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. A high resolution 0.39-inch OLED viewfinder enables precise manual focus and is perfectly offset for right-eye or left-eye viewing. Is historical content not being shown anymore because it was captured in black and white, or 4:3 or SD? Just like on the FX9, the FX6 has the same touchscreen operation available from its LCD screen. It is unclear whether you need the CBK-WA100/101 Wireless Adapter to be able to do this. The grip and the monitor make the camera easy to operate if you have to shoot at low or high angles. Given its feature set and capabilities, there really isnt any reason why it couldnt be used by anyone for anything. This alone makes the FX9 a more appealing proposition for certain shooting scenarios. Along with the two XLR inputs on the camera handle, the camera also has a MI shoe that allows you to attach the Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter. We most definitely recommend it if youre in the market and it fits your needs. The expanded flexibility of having onboard XLR inputs, a grip that makes handheld shooting easier and linearly adjustable ND will make catching the right moment easier, allowing for better results. Its good that the FS5 has a variable neutral density (ND) filter because without it that minimum ISO would be a huge problem. A magnesium chassis ensures high rigidity with -inch screw holes on the handle, top and bottom of the body to support mounting on a drone, gimbal, or in an underwater housing. In no real surprise, that the FX6 doesnt have the same locking E-mount from the FS7 M2 and FX9. Creative tips and inspirational stories for filmmakers. All of these cameras offer different features and functionality. Its really everything that would improve photo-first cameras. 4.00 (72 pages), Nxcam series solid-state memory camcorder (148 pages), Digital hd video camera recorder (231 pages), Digital hd video camera recorder (82 pages), Manual will be automatically added to "My Manuals", Camcorder Sony PXW-Z190V Operating Instructions Manual, Camcorder Sony PMW-EX1 Operating Instructions Manual, Camcorder Sony Handycam HDR-CX550 Operating Manual, Camcorder Sony PXW-FS7 Operating Instructions Manual, Camcorder Sony PMW-EX3 Operating Instructions Manual. Want to change the white balance? The FX6 has a massive cooling system that takes up a lot of space within the camera. I just started working with an FS-5 and am learning my way around the camera. On the other hand, part of the benefit from the newer S-log3 is its capability to work with more than 14 stops of dynamic range, so its advantages are wasted on cameras with a smaller dynamic range. Media Card Slots: 1 x MS/SD (dual Memory Stick/SD) Solid-state memory camcorder firmware update ver. With 14 stops of dynamic range, we were very impressed in the detail and tonal reproduction of the camera. Most manufacturers exaggerate their cameras real dynamic range. Some wont take advantage of the ProRes RAW option because the format can currently only be edited in Final Cut Pro X. The thing to be aware of is that, because of the new color science, footage from the original FS5 and the new Mark II wont match out of the box. Chris Monlux is a native of Northern California and is Videomakers Multimedia Editor. channel having L and R tracks, so you were trying to route input 2 to Its not a deal-breaker by any means, but its something to be considered. At ISO 12,800, the size of the noise gets larger. The size of the camera made it easy to pack and carry on to our flight. Sony is claiming 15+ stops of dynamic range from the FX6, but I would take that figure with a grain of salt. The PXW-FS5 is the PXW-FS7s little brother, offering many of the same options with a smaller, more compact form-factor. It looks very similar in a lot of ways, however, you will notice that there is no longer an EVF on the back. Extend the capabilities of your professional hardware. Just how well this works with the FX6 will be interesting to see because there isnt any wiggle room for reframing a 4K image given the sensor size. It drastically changes the center of gravity, so handheld shooting is much different with the monitor. All of these competing options have their own strengths and weaknesses. Given the small megapixel count, this camera will only ever be capable of recording in resolutions of 4K. In my opinion, there is no such thing as future proof. For wider shooting, the 16-35mm F.2.8 G-Master lens would work well. Careful weight distribution and an ergonomic smart grip enable you to comfortably shoot from any angle. Think of how a slide trombone works: It can slide through notes, offering everything in between. However, how many people actually need greater than 4K at this point in time? It can capture CinemaDNG and ProRes 444 internally.